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The Start

I work directly from my photographs.  I use sketchbooks to make initial drawings, but I primarily draw directly onto the lino.  I use 2 types of lino, the traditional hessian backed and Japanese double sided vinyl, but I mainly use the Japanese vinyl as I like how easy it is to carve into when I am creating the layers.

My drawings tend to be loose, where I focus on outlining the key areas and making sure the dimensions are correct. 

Printing

I use a combination of oil and water based oil relief inks.  Once I have carved the layer to be printed I'll mix up my paint and start printing the areas I want the ink to appear.  I usually print one colour at a time, but sometimes I can print 2 or occasionally 3. 

I find this stage really exciting, but it can be complicated as I have to visualise how the ink will look on paper and how the colours could interact with each other.  This is where having a proof print is important as I make decision from this print moving forward. 

Carving into the lino

I use my carving tools like a pen to create the lines and detail I want.  It can be a slow process or angst inducing if you carve the wrong section (you just have to embrace the mistakes and incorporate them into your design), but I find it meditative and really enjoy this process of slowly creating and revealing a scene by carving layer by layer. 

The layers

I have to distil all the colours I see in my photographs into several layers.  This process involves thoughtful decision making on what details are important to me and what I can allude to in my work. 

I frequently refer to my photographs to ensure the colours are as accurate as possible, allowing me to achieve a sense of realism in my work. 

The middle stages

This is where I can see how the colours play with each other and how the layers are building up to create a scene.  I can see my work coming together, but it's still at a stage where I can feel unsure if it will turn out how I visualised it in my mind. 

Final Piece

After all the hours spent carving, colour mixing, printing and repeat, you get the final result.  This is what I work for, a piece of art I am proud of and one which I hope will hold the viewers gaze.

outling drawings of scene on Japanese vinyl lino
studio scene of ink on lino and inking plate with inked brayer
hand carving into the lino
early stages of how the colours and scene on paper
the middle stages fo the building up of layers on paper
The final print of Cuenca Street View print
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